ALL MY PEOPLE

Concept

This work addresses temporality and abstraction in the perception, cognition, and representation of human faces and human relations.

I created it from the photographs of 77 people with whom I had interacted most extensively between 1993 and 2003. I cropped each photograph to the central portrait area and resampled to a 9x13 pixels pattern with six greyscale levels. I converted pixels into circles, distanced, and animated them by inter-fading. I transcoded this animation into sound, morphed it with the Oasis' song D’You Know What I Mean? (1997), and synchronized the result with the animation into the final video, intended for large-scale projections. Here is my catalogue essay for the Connection Show in Belgrade Cultural Center.

Image processing procedure.

Video

Installation

Installation view at the Connection Show 2003.