Dog Life Days is a simple study of portrait, senses, and sensual relations. It was made by morphing 30 black and white photographs.

The title Dog Life Days alludes to the title of the second Suede album Dog Man Star (1994), which is itself a variation of the title of a series of Stan Brakhage’s experimental films Dog Star Man I-IV (1961-1964).

Dog Life Days belongs to a series of my study-projects in which the programmed animation transposes the portrait from the visual database to an event, such as All My People Right Here Right Now (2002), a (2006), Alibi (Black or White) (2012) and Anticipations (2015).

Bibliography: Branislav Dimitrijević, from An Intermittent History: A Brief Survey of Video Art in Serbia, 1999.