• DEJAN GRBA
  • Contact
  • Artist Statement
  • Authorial Platform
  • Resarch Statement
  • Teaching Philosophy
  • Brief Biography (PDF)
  • Detailed Biography (PDF)
  • Curriculum Vitae (PDF)
  • Impressum

• ART PROJECTS
  • Equality
  • Study 7/0
  • TRACE / MoCA Salon
  • TRACE / Pro Arts
  • Analogies
  • Wake Vortex
  • Anticipations
  • Alibi (Black or White)
  • a[4]
  • Study
  • Topographic Portraits
  • Aula
  • Kraftwerk P-b-M Remix
  • a
  • All My People...
  • Too Many Secrets
  • Kraftwerk P-b-M
  • Thalassa
  • Dog Life Days
  • Stealth
  • Family

• TEACHING
  • Generative Art (S1 20/21)
  • Interactive Spaces (S1 20/21)
  • Interactive I (S2 19/20)
  • Interactive II (S2 19/20)
  • Interactive I (S1 19/20)
  • Interactive II (S1 19/20)
  • Narratives for Interaction (S2 18/19)
  • Interactive II (S2 18/19)
  • Student Works Portfolio (Download)
  • Poetics of Digital Art
  • Transmedia Research
  • Drawing [1998-2012]
  • New Media Department
  • Digital Art Platform
  • Workshops
  • Mentorship
  • Letters of Reference
  • Alumni

• LECTURES
  • Machine Flaws in Generative Art
  • VR to Begin With
  • Forensics of a Molten Crystal (Lecture)
  • Deep Else
  • Avoid Setup
  • Divergent Generative Art Practices
  • Event Studies
  • Get Lucky
  • Code/Steal
  • Algorithmic Provocations
  • I Cite (Very) Art
  • Curiosity
  • A Mesmerisingly Unpredictable Scenario
  • Between Infrared and Ultraviolet
  • 0 = 1 (Digital Art)
  • B.A.C.H. (References in Visual Arts)
  • Who? (Identity in Film)
  • Bastards of the Cool (2009)
  • Realities / Consciousnesses / Narratives
  • The Conceptual Aspect of Visual Arts...
  • Bastards of the Cool (2007)

• PUBLICATIONS
  • Chapters and Papers
  • Catalogue Essays
  • Magazine Articles
  • Interviews

• BIBLIOGRAPHY
  • Book Essays
  • Catalogue Essays
  • Magazine Articles
  • Interviews

• FILM
  • My 1.11%
  • My 1.23%

• SEARCH

• SRPSKI